Porcelain is a unique product of Chinese culture. With just a few alternating layers of blue and white glaze, it can convey the purest and freehand beauty of Chinese culture. Due to records of the use of pottery for protective gear in ancient Egypt and Persia, the greatest selling point of Sister Tao is the fusion of ceramics with armor and weapons, bringing out a delicate yet powerful sense of conflict.
Next, the lotus is one of the most admired plants in Chinese culture. Therefore, in the design, the lower hem of Sister Tao symbolizes the spreading of lotus leaves, with pristine shoulder armor on both sides, blooming like lotus petals.
Finally, the hair bun and the modest Tang suit, which does not excessively expose the body, represent the reserved and implicit characteristics of the Chinese. I have reduced the exposed skin of Sister Tao and paired it with a neckline that does not specifically distinguish between left or right lapels, expressing a spirit of inclusiveness beyond ethnic boundaries.